Scandinavian tour in collaboration with Martin Bauck (composer and live electronic)

Martin Rane Bauck - Hoots! (2020) - 15’ - Amplified violin
Yu Kuwabara - New work (2020) - 10’ - Viola d’amore _ WP
Bara Gisladottir - ORF (en líka axir og önnur pynintgatæki) (2018) - 8’ - Viola d’amore and live electronics
Laura Steenberge - Four Studies for Viola d’Amore (2019) - 9’ - Viola d’amore solo
Kristine Tjøgersen - New work (2020) - 10’ - Viola d’amore and video - WP
Lauri Supponen - Gaz aux étages (2016/20) - 7’ - Viola d'amore - World premiere

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Marco Fusi, Violin and Viola d’amore
Martin Rane Bauck, live electronics

Seminar on Giacinto Scelsi and the transcription of his original tapes in animated scores for the Reseach Department of the The Sir Zelman Cowen School of Music, Monash University.

In collaboration with the Italian Institute of Melbourne.

Collaboration with Danish ensemble Neko3, performing John Cage's The Ten Thousand Things and Stockhausen's Prozession at Modern Mandag, Copenhagen.

Online @ smogmusic.org

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With Marco Fusi (IT/BE) on violin and viola d'amore, performing Anahita Abbasi, Laura Steenberge and Yu kuwabara.
Followed by a unique solo set made by the electronics master from Ramallah, Muqata'a (Occupied Palestine).

Each music set will be introduced by video clips made by Léo Malek.

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First part
*MARCO FUSI performs:

Mizu no Koe, for violin, by Yu Kuwabara (Jap)
Four studies, for viola d'amore, by Laura Steenberge (Usa)
Temperance, for viola d'amore and tape, by Bergrún Snæbjörnsdóttir (Iceland)

Recorded in Brussels.

Second part
*MUQATA'A

Machines and electronics
Recorded in Ramallah.

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UK premiere of Jonathan Impett's Apollo e Marsias (2019), for viola d’amore & installation.

This course provides a theoretical background to understanding the harmonic principles of Just-Intonation and the different temperaments that are currently in use in today’s performance practices. The classes will present students with practical insights, training methods and exercises to refine their ability to tune intervals and sequences of chords in relation to specific temperaments throughout history, from baroque to contemporary music. The aim of the module is to offer a more comprehensive understanding on the phenomenon of intonation, allowing the participants to develop and finely tune their aural skills with practical experiments and performances. Individual string players and pre-formed string ensembles are welcome.

This course provides a theoretical background to understanding the harmonic principles of Just-Intonation and the different temperaments that are currently in use in today’s performance practices. The classes will present students with practical insights, training methods and exercises to refine their ability to tune intervals and sequences of chords in relation to specific temperaments throughout history, from baroque to contemporary music. The aim of the module is to offer a more comprehensive understanding on the phenomenon of intonation, allowing the participants to develop and finely tune their aural skills with practical experiments and performances. Individual string players and pre-formed string ensembles are welcome.

This course provides a theoretical background to understanding the harmonic principles of Just-Intonation and the different temperaments that are currently in use in today’s performance practices. The classes will present students with practical insights, training methods and exercises to refine their ability to tune intervals and sequences of chords in relation to specific temperaments throughout history, from baroque to contemporary music. The aim of the module is to offer a more comprehensive understanding on the phenomenon of intonation, allowing the participants to develop and finely tune their aural skills with practical experiments and performances. Individual string players and pre-formed string ensembles are welcome.

Teaching contemporary violin techniques to composer students