works by Biston, Tulve and Jančevskis

recording of Djuro Zivkovic, Citadel of Love

Norrbotten Chamber Orchestra / Isabelle van Keulen, violin and concertmaster

Felix Mendelssohn: Sinfonia nr. 9
Karl Amadeus Hartmann: Concerto Funèbre
Franz Schreker: Intermezzo och Scherzo för stråkorkester, op.8
Béla Bartók: Divertimento för stråkar

link

Norrbotten Chamber Orchestra / Isabelle van Keulen, violin and concertmaster

Felix Mendelssohn: Sinfonia nr. 9
Karl Amadeus Hartmann: Concerto Funèbre
Franz Schreker: Intermezzo och Scherzo för stråkorkester, op.8
Béla Bartók: Divertimento för stråkar

link

Norrbotten Chamber Orchestra / Isabelle van Keulen, violin and concertmaster

Felix Mendelssohn: Sinfonia nr. 9
Karl Amadeus Hartmann: Concerto Funèbre
Franz Schreker: Intermezzo och Scherzo för stråkorkester, op.8
Béla Bartók: Divertimento för stråkar

link

link

Norrbotten Chamber Orchestra / Isabelle van Keulen, violin and concertmaster

Felix Mendelssohn: Sinfonia nr. 9
Karl Amadeus Hartmann: Concerto Funèbre
Franz Schreker: Intermezzo och Scherzo för stråkorkester, op.8
Béla Bartók: Divertimento för stråkar

link

This course aims to introduce performers and composers to the world of graphic and animated musical scores. Musicians and visual artists have been aware of the close relation between visual elements and sounds since music notation has been conceived. In the last century, experimental music has often shared common ground with the world of visual arts, developing a new kind of music notation, stepping away from traditional representation of music and granting the performers a greater artistic freedom and a bigger agency on the final sonic result.

The Animated Score Laboratory (ASLab) will be space for the study and performance of graphic and animated scores; open to instrumentalists, singers, composers and visual artists, will guide its members towards the development of a collective interpretation of the most significant works of this genre. A theoretical background will be offered, starting from the first experimentation with graphic scores, focusing on the central figure of British composer Cornelius Cardew and his Treatise, to then continue exploring the most recent outcomes of animated scores, including the works by S.L.Á.T.U.R. collective and Decibel Ensemble. ASLab will then dive into practice, experimenting with the performance of existing scores and with new material created specifically for ASLab.

This course aims to introduce performers and composers to the world of graphic and animated musical scores. Musicians and visual artists have been aware of the close relation between visual elements and sounds since music notation has been conceived. In the last century, experimental music has often shared common ground with the world of visual arts, developing a new kind of music notation, stepping away from traditional representation of music and granting the performers a greater artistic freedom and a bigger agency on the final sonic result.

The Animated Score Laboratory (ASLab) will be space for the study and performance of graphic and animated scores; open to instrumentalists, singers, composers and visual artists, will guide its members towards the development of a collective interpretation of the most significant works of this genre. A theoretical background will be offered, starting from the first experimentation with graphic scores, focusing on the central figure of British composer Cornelius Cardew and his Treatise, to then continue exploring the most recent outcomes of animated scores, including the works by S.L.Á.T.U.R. collective and Decibel Ensemble. ASLab will then dive into practice, experimenting with the performance of existing scores and with new material created specifically for ASLab.

This course aims to introduce performers and composers to the world of graphic and animated musical scores. Musicians and visual artists have been aware of the close relation between visual elements and sounds since music notation has been conceived. In the last century, experimental music has often shared common ground with the world of visual arts, developing a new kind of music notation, stepping away from traditional representation of music and granting the performers a greater artistic freedom and a bigger agency on the final sonic result.

The Animated Score Laboratory (ASLab) will be space for the study and performance of graphic and animated scores; open to instrumentalists, singers, composers and visual artists, will guide its members towards the development of a collective interpretation of the most significant works of this genre. A theoretical background will be offered, starting from the first experimentation with graphic scores, focusing on the central figure of British composer Cornelius Cardew and his Treatise, to then continue exploring the most recent outcomes of animated scores, including the works by S.L.Á.T.U.R. collective and Decibel Ensemble. ASLab will then dive into practice, experimenting with the performance of existing scores and with new material created specifically for ASLab.