Final concert during CREATIE Festival.

This course aims to introduce performers and composers to different modalities of collaboration that may be undertaken while working together. Based on the seminal work of Christopher Small, Musicking (1998), the module will reconsider the traditional hierarchical structure of collaboration, allowing for a more democratic participation in the creative process. It will investigate the individual contributions to each artistic figure involved in the process of creation of a performance, pushing each member of the creative team to re-think their role, expanding their skill set and abandoning their comfort zone. The results of the experimentation of this role-flexible, not-hierarchical project, will be publicly presented during CREATIE Festival 2019 (3-5 December). Participation is open to performers of any instrument and composers.

CREATIE (Royal Conservatoire Antwerp, BEL) and Mixed Currents (CeReNeM, University of Huddersfield, UK) join forces in organizing this conference-festival about collaborations in contemporary performance. We will explore challenges and consequences of close collaborations in new music, innovative collaborations and new performance formats and inclusive collaboration models within the performative scene of today.

During this 3-day conference-festival, CREATIE and Mixed Currents will offer a wide variety of concerts, lecture-performances, panel discussions, papers and lunch concerts with students of the Royal Conservatoire Antwerp.

INTERNATIONAL PANEL GUESTS:
Patricia Alessandrini (Stanford University),
Sam Hayden (Trinity Laban Conservatoire of Music),
Jessie Marino (Stanford University),
Charlie Sdraulig (Stanford University),
Tanja Erhart (Candoco).

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performance/installation of Charlie Sdraulig's one to one, work for violinist and one member of the audience. During CREATIE Festival 2019 the piece will be performed several times for spectators selected via a lottery.

This course aims to introduce performers and composers to different modalities of collaboration that may be undertaken while working together. Based on the seminal work of Christopher Small, Musicking (1998), the module will reconsider the traditional hierarchical structure of collaboration, allowing for a more democratic participation in the creative process. It will investigate the individual contributions to each artistic figure involved in the process of creation of a performance, pushing each member of the creative team to re-think their role, expanding their skill set and abandoning their comfort zone. The results of the experimentation of this role-flexible, not-hierarchical project, will be publicly presented during CREATIE Festival 2019 (3-5 December). Participation is open to performers of any instrument and composers.

This course aims to introduce performers and composers to different modalities of collaboration that may be undertaken while working together. Based on the seminal work of Christopher Small, Musicking (1998), the module will reconsider the traditional hierarchical structure of collaboration, allowing for a more democratic participation in the creative process. It will investigate the individual contributions to each artistic figure involved in the process of creation of a performance, pushing each member of the creative team to re-think their role, expanding their skill set and abandoning their comfort zone. The results of the experimentation of this role-flexible, not-hierarchical project, will be publicly presented during CREATIE Festival 2019 (3-5 December). Participation is open to performers of any instrument and composers.

This course aims to introduce performers and composers to different modalities of collaboration that may be undertaken while working together. Based on the seminal work of Christopher Small, Musicking (1998), the module will reconsider the traditional hierarchical structure of collaboration, allowing for a more democratic participation in the creative process. It will investigate the individual contributions to each artistic figure involved in the process of creation of a performance, pushing each member of the creative team to re-think their role, expanding their skill set and abandoning their comfort zone. The results of the experimentation of this role-flexible, not-hierarchical project, will be publicly presented during CREATIE Festival 2019 (3-5 December). Participation is open to performers of any instrument and composers.

world premiere of Jonathan Impett's Apollo e Marsias (2019), for viola d’amore & installation.

link

This course aims to introduce performers and composers to different modalities of collaboration that may be undertaken while working together. Based on the seminal work of Christopher Small, Musicking (1998), the module will reconsider the traditional hierarchical structure of collaboration, allowing for a more democratic participation in the creative process. It will investigate the individual contributions to each artistic figure involved in the process of creation of a performance, pushing each member of the creative team to re-think their role, expanding their skill set and abandoning their comfort zone. The results of the experimentation of this role-flexible, not-hierarchical project, will be publicly presented during CREATIE Festival 2019 (3-5 December). Participation is open to performers of any instrument and composers.

Audio/video recording session of works by Fantechi, McIntosh, Deyoe, Steenbeerge, von Schweinitz.

incoming publication by Populist Records.

That Damn Borderline goes North!

With composer sound engineer Alessandro Perini, the project is presented at the Lofoten Iceland. With support of nyMusikk Nordland.